Kent Sparling's offering is smooth. Dreamy volutes of vibrations emanate from my speakers. Low grooves that reaches revved-up lymphatic speed; this is the general feel spanning the six tracks, all ...
This telephone interview from March 1982 is one of a series of interviews done by Gayle Young, sometimes with Jim Montgomery collaborating, as part of her research for The Sackbut Blues: Hugh Le Caine ...
Andra McCartney, Monique Jean, Diana McIntosh, Pascale Trudel, Mara Zibens.
The following text is based on email conversations with Alireza Mashayekhi on 28 July and 13 December 2006, and 7 January 2007. Originally published at the EMF Institute. Alireza Mashayekhi, born in ...
The CEC is pleased to announce that the following works have been selected by the international jury to appear on the Cache 2012 CD compilation highlighting this year’s JTTP project (in alphabetical ...
For each edition of JTTP, a broad and diverse international jury has the task of judging all submissions to the project. The composers of the five top-placing works receive prize packages consisting ...
Recent works by young and/or emerging composers and sound artists from or living in Canada are featured in the 16th edition of Jeu de temps / Times Play, coordinated annually by the CEC since 2000.
Press releases from 1979-1981 don't mention instrumentation in all cases, but Jean Piché's electroacoustic work "Ange", won in 1980. CAPAC introduced the Le Caine Awards in 1981. The entries below ...
Our voice is our primary expressive instrument. We all recognize vocal sources and it is nearly impossible to disentangle vocal and human associations. The voice is an indicator of complex emotional ...
In the first decade of radio drama technology, the sort of devotion required of the audience was selective listening in a personally created ‘zone.’ "In Letters from a fond Uncle," in the BBC’s weekly ...
eContact! 6.4 — Analyse électroacoustique / Analyses of Electroacoustics. Montréal: Communauté électroacoustique canadienne / Canadian Electroacoustic Community.
As a professor for piano, first at the Folkwang University in Essen, now at the Music University in Frankfurt in Main, Germany, I not only have had close contact with composers and performers in ...