Critics lambasted it and audiences didn’t grade it much better. But despite the turbulence, Mel Gibson’s “Flight Risk” managed to open No. 1 at the box office with a modest $12 million, according to studio estimates Sunday.

Sorry, Baby” Eva Victor triumphs as the writer and star in her perfectly nuanced directorial debut “Sorry, Baby.” (Mia Cioffy Henry, provided by the Sundance Institute) Comedian Eva Victor can be ridiculously funny and wry.

Naturally, The Verge is going to be taking in as much of Sundance as we can and posting bite-sized reviews of everything we see. We’ll also be posting longer reviews and sharing trailers, and you can follow along here to keep up with all of the news out of the festival.

Joel Edgerton and Felicity Jones appear in Train Dreams by Clint Bentley Adolpho Veloso. The two best films I saw at Sundance, and what will be two of the best films of 2025, couldn’t be more different,

Six Sundance documentaries are part of the Ford Foundation's $4.2 million investment in social justice stories.

Amid a number of thin, depressing movies at this year’s edition of the Utah festival, a pair of funny, big-hearted films stood out, alongside the typical contingent of thoughtful character studies and powerful documentaries.

Producers Abby Wambach and Sara Bareilles share their new documentary, "Come See Me in the Good Light," which premiered at Sundance Film Festival.

High school oratory competitors shine in the Sundance documentary 'Speak.', directed by Jennifer Tiexiera and Guy Mossman and EP'd by Josh Gad.

For her debut feature “Love, Brooklyn,” director Rachael Abigail Holder knew she “really wanted to play my own song.” But she did so with a script she came across that was a love letter to the city of Brooklyn — but one in which all the characters were initially white.

Mark Wahlberg stars in the genre pic, which marks Gibson's first directorial effort in nearly a decade. Elsewhere, Steven Soderbergh's artsy haunted house thriller 'Presence' opened in 1,750 cinemas.

Critics lambasted it and audiences didn't grade it much better. But despite the turbulence, Mel Gibson's "Flight Risk" managed to open No. 1 at the box office with a modest $12 million, according to studio estimates Sunday.

Critics lambasted it and audiences didn’t grade it much better. But despite the turbulence, Mel Gibson’s “Flight Risk” managed to open No. 1 at the box office with a modest $12 million, according to studio estimates Sunday.